Graduate Composition Seminar
Syllabus
Listening Assignments

Instrumental Clinics

Song Project
Concert Reports
Grading

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Syllabus
MU507, MU607 Composition Seminar

Fall Semester 2010, Spring Semester 2011
Credits: 1 per semester
Prerequisites: none
Instructor: Andy Vores avores@bostonconservatory.edu


Course Objectives
This weekly meeting, required of all composition majors, provides student composers with tools to foster a sophisticated awareness of contemporary composition, to facilitate familiarity with a broad range of cultural references, and to become focused and articulate when speaking of one's own and others' music.

A wide range of topics will be touched on, including professional development (program notes, commissions, grants, identifying performance opportunities, etc.); introduction to composers and music not covered in other conservatory courses (recent contemporary music, vernacular and popular music); visiting composers, masterclasses and clinics with conductors and performers; analogies to other art forms; issues of orchestration, instrumentation, structure, and form.

Calendar
FALL 2010
Week 1     September 8
Week 2     September 15
Week 3     September 22
Week 4     September 29
Week 5     October 6
Week 6     October 13
Week 7     October 20
Week 8     October 27
Week 9     November 3
Week 10   November 10
Week 11   November 17
Week 12   November 24
Week 13   December 1
Week 14   December 8
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Composition Department Meeting: Concert Room
class meeting
class meeting
class meeting
class meeting
class meeting
composer James Dashow
Listening Assignment midterm exam
class meeting
composer Daniel Asia
class meeting
no class: Thanksgiving Break
class meeting
class meeting
SPRING 2011
Week 1     January 19
Week 2     January 26
Week 3     February 2
Week 4     February 9
Week 5     February 16
Week 6     February 23
Week 7     March 2
Week 8     March 9
Week 9     March 16
Week 10   March 23
Week 11   March 30
Week 12   April 6
Week 13   April 13
Week 14   April 20
Week 15   April 27

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Composition Department Meeting: Concert Room
class meeting
class meeting
class meeting
class meeting
class meeting
class meeting
Listening Assignment midterm exam
no class: Spring Break
class meeting
class meeting
class meeting
class meeting
class meeting
class meeting

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Listening Assignments
Weekly Listening Assignments are given each semester. Students are expected to listen to assigned works with the score two or three times (at the very least) in order to become well acquainted with each piece as well as to read biographical information and program notes relevant to the assignment.

Scores for each assignment will be on library reserve. Most pieces are available on the Naxos website. CD's will be on reserve for works unavailable on Naxos.

A midterm and a final examination test familiarity with the assigned works by asking students to identify soundclips and to identify extracts from scores. This exam will also include general questions about the composers of the assigned works and the works themselves.

FALL 2010
Work
Stockhausen: Zeitmasze

Partch: Barstow
John Coltrane: Ascension
Grainger: Lincolnshire Posy
Britten: Phaedra
Bartok: Piano Concerto No.2

Stravinsky: Agon
Koechlin: Les Bandar-Log
Mendelssohn: Symphony No.3 "Scottish"
Captain Beefheart: Trout Mask Replica
Gorecki: Symphony No.3
Satie: Parade
Lachenmann: Allegro Sostenuto
Frank Sinatra: In the Wee Small Hours

SPRING 2011
TBD


Webernk
Recording

Naxos Playlist: Comp Sem MU507/MU607
Naxos Playlist: Comp Sem MU507/MU607
CD on reserve
Naxos Playlist: Comp Sem MU507/MU607
Naxos Playlist: Comp Sem MU507/MU607
Naxos Playlist: Comp Sem MU507/MU607
Naxos Playlist: Comp Sem MU507/MU607

Naxos Playlist: Comp Sem MU507/MU607
Naxos Playlist: Comp Sem MU507/MU607
CD on reserve
Naxos Playlist: Comp Sem MU507/MU607
Naxos Playlist: Comp Sem MU507/MU607
Naxos Playlist: Comp Sem MU507/MU607
CD on reserve
 
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Instrumental Clinics

In order to better familiarize composers with the specifics of writing for various instruments, Clinics are held each semester, usually spanning three or four weeks with two group meetings. For the first meeting composers write a brief exercise for the featured instrument. This is the springboard for a presentation and discussion given by faculty and students on effective notation, idiomatic writing, extended techniques, and related topics. After this meeting the composers each write a short work which will be workshopped at the next group meeting.

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Song Project

Early in the fall semester composers are paired with Voice majors from the Junior Vocal Performance Seminar for whom they compose a work for voice and piano. These songs will be workshopped throughout the year with Kathryn Wright, the instructor of the Junior Vocal Performance Seminar. A spring semester masterclass with a visiting artist is followed by a concert performance.
N.B. this project is Year 1 MM students only in 2010/11
>Song Project


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Concert Reports

Attendance at each concert in the Composer Recital Series and the New Music Festival is a requirement of the Composition Seminar. From time to time students will be asked to provide written or verbal Concert Reports. 

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Grading
Class Participation
Assignments
Midterm Exam
Final Exam

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