| Advanced Solfège and Score Reading Advanced Solfège and Score Reading 1: Instrumental Advanced Solfège and Score Reading 1: Vocal and Choral Advanced Solfège and Score Reading 2: Instrumental Advanced Solfège and Score Reading 2: Vocal and Choral ________________________________________________________________________________ Advanced Solfège and Score Reading 1: Instrumental MU413 undergradute registration MU513 graduate registration Fall Semester 2009 Credits: MU413: 2 credits, MU513: 1 credit Prequisites: MU413: Ear Training 4 and Piano Class 2 MU513: Graduate Ear Training (exam or proficiency) and piano proficiency Instructor: James Dalton jdalton@bostonconservatory.edu Course Objectives |
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| ______________________________________________________________________ back to top Advanced Solfège and Score Reading 2: Instrumental MU414 undergradute registration MU514 graduate registration Spring Semester 2010 Credits: MU414: 2 credits, MU514: 1 credit Prerequisite: Advanced Solfège and Score Reading: Instrumental 1 or permission Instructor: James Dalton jdalton@bostonconservatory.edu Course Objectives Textbooks |
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| ________________________________________________________________________________ Advanced Solfège and Score Reading 2: Vocal and Choral MU432 undergradute registration MU532 graduate registration Sping Semester 2011 (this course runs every other year) Credits: MU432: 2 credits, MU532: 1 credit Prequisite: Advanced Solfège and Score Reading: Vocal and Choral 1 or permission Instructor: William Cutter wcutter@bostonconservatory.edu Course Objectives This course, offered every other Spring and required for all Choral Conducting MM students, is based primarily in the choral repertoire. It continues the realization of theoretical concepts and harmonic and formal analysis begun in MU432, MU532, through literature from the late Romantic period to the present day: Late Romantic and early 20th-Century • Schumann, Mendelssohn, Brahms, Bruckner, Verdi, Faure, Debussy, Bartok, Vaughan Williams, Copland • five to eight-line open score reading with at least one transposing instrument • advanced tonal analysis / final expansion of the major-minor system • new formal designs - song cycles, tone poems, opera 20th-Century to the present • Schoenberg, Ives, Hindemith, Stravinsky, Cage, Foss, Berio, Crumb, Paart, Harbison • analysis of serial and atonal compositions • score reading, music containing quartal harmony, pandiatonicism, synthetic scales • aleatoric procedures and graphic notation • extended and non-traditional vocal techniques Textbooks MUSIC FOR SIGHTSINGING PREPARATORY EXERCISES IN SCORE READING ORGANIZING TIME see MU431/MU531 Advanced Solfège and Score Reading: Vocal and Choral 1 |
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