Ear Training Aural Analysis Dictation TBC RHYTHM BOOK Johann Sebastian Bach Alfred Publishing Company, 1985 ISBN: 9780769240916 AN ENGLISH MEDIEVAL AND RENAISSANCE SONG BOOK Noah Greenberg (Ed.) Dover Publications, 2000 ISBN: 9780486413747 |
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| ______________________________________________________________________ back to top Ear Training 2 MU114 Spring Semester 2010 Credits: 2 Prerequisites: Ear Training 1 or placement Course Objectives Sightsinging and Rhythm fluency in and understanding of • ledger lines in treble and bass clef • singing and conducting in compound meters • fixed do solfége syllables applied to non-modulating major and minor melodies • fixed do solfége syllables applied melodies that include tonicization • all diatonic intervals within the octave • triplets and sextuplets • tied notes, dotted notes, and syncopation Aural Analysis Dictation |
| Grading Class Participation Dictation Midterm (Sightsinging) Final Exam (Sightsinging) |
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| ______________________________________________________________________ back to top Ear Training 3 MU213 Fall Semester 2009 Credits: 2 Prerequisites: Ear Training 2 or placement Course Objectives Sightsinging and Rhythm fluency in and understanding of • alto clef • performing simple meters in two parts • fixed do solfége syllables applied to modulating major and minor melodies • all chromatic intervals within the octave • seventh chords • quintuplets and septuplets Aural Analysis |
| Grading Class Participation Dictation Midterm (Sightsinging) Final Exam (Sightsinging) |
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| ______________________________________________________________________ back to top Ear Training 4 MU214 Spring Semester 2010 Credits: 2 Prerequisites: Ear Training 3 or placement Course Objectives Sightsinging and Rhythm fluency in and understanding of • tenor clef • changing clefs • singing and conducting in irregular meters • performing simple and compound meters in two parts • fixed do solfége syllables applied to modulating major and minor melodies • intervals larger than an octave • dotted and tied duplets Aural Analysis Dictation |
| Grading Class Participation Dictation Midterm (Sightsinging) Final Exam (Sightsinging) |
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| ______________________________________________________________________ back to top Ear Training 5 MU313 Spring Semester 2009 Credits: 2 Prerequisites: Ear Training 4 or placement Course Objectives Sightsinging and Rhythm fluency in and understanding of • singing and conducting in changing meters • performing irregular and mixed meters in three parts • fixed do solfége syllables applied to simple atonal melodies • fixed do solfége syllables applied to church mode melodies Aural Analysis Dictation |
| Grading Class Participation Midterm Final Exam |
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| ______________________________________________________________________ back to top Ear Training 6 MU314 Spring Semester 2010 Credits: 2 Prerequisites: Ear Training 5 or placement Course Objectives Continuing work on atonal music along with transcription and performance of materials drawn from pedagogical techniques and musical styles of several different cultures, including: • aksak meter, irregular groupings of two and three —The Balkans, Turkey, Iran, Afghanistan • additive rhythmic techniques — India • polyrhythm — West Africa, Cuba, Brazil • interlocking rhythms and tight rhythmic canons — Bali • recognizing pitch collections and scale types (several cultures) • microtones in maqam– North Africa, Central Asia, Middle East • ornamentation and inflection in raga — India • chant — Eastern Orthodox, Greek Orthodox • microtones in Polynesian choral music Textbooks MODUS NOVUS see MU313 Ear Training 5 |
| Grading Class Participation Midterm Final Exam |
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