Topics in Music Theory & Analysis
Beyond the Double Bar: The Natures of Transcription
Temperament and Western Tuning


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Beyond the Double Bar: The Natures of Transcription
MU419
(undergraduate registration)
MU519
(graduate registration)
Fall Semester 2008
Credits: MU419: 2 credits, MU519: 1 credit
Prerequisites: Form & Analysis 1 or permission
Instructor: Dalit Warshaw dwarshaw@bostonconservatory.edu

Course Objectives
When does the composition process officially end? Is the composer's transcription of his own work a mere arrangment, or an extension of the process? When another transcriber is involved, how does the original work maintain its own identity while collaborating with an alternate perspective and instrumentation? This course will explore the various natures of transcription, from basic transference to more creative translation. Works will include transcriptions of Mozart, Beethoven, Liszt, Moussorgsky, Mahler, Ravel, Schoenberg, Webern and others.

Textbook
TBC ANTHOLOGY

Grading
Class Participation
 and Homework
Midterm Project
Final Project


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c

40%
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35%

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Temperament and Western Tuning
MU419
(undergraduate registration)
MU519
(graduate registration)
Spring Semester 2009
Credits: MU419: 2 credits, MU519: 1 credit
Prerequisites: Form & Analysis 1 or permission
Instructor: James Dalton jdalton@bostonconservatory.edu

Course Objectives
The objectives of this course are to develop an understanding of the ways in which Western tuning systems have influenced specific composers and works. The course will examine the consequences of the Pythagorean, meantone, well-tempered and equal tempered tunings up to contemporary usage of quartertones, overtones, and just intonation.

Textbook

Required texts are available online from www.textbookx.com
GENESIS OF A MUSIC
Harry Partch
Da Capo Press
ISBN: 9780306801068

STRING QUARTET No.4 (Amazing Grace)
Ben Johnston
Smith Publications
sylvias@smith-publications.com
Grading
Class Participation
 and Homework
Midterm Project
Final Project

g
d

40%
25%
35%
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